Once you connect the controller and assign functions, the general idea is the same. Now you can find these rolled into large multi FX processors like the Pod HD500, and in compact stomp boxes like the TC Electronics Ditto.įor electronic musicians, you can accomplish the same thing with Ableton Live and a MIDI controller. The hardware was a footswitch along the lines of the Boss RC-300.
Looping was originally targeted towards guitarists.
You’re not triggering a track, you’re creating it right now. Looping on the other hand is done completely on the spot. I often hear this as textured guitar tracks (reverb and delay for days), synths and pads, auxiliary percussion instruments, and sometimes backup vocals. Tracks in lieu of (or in addition to) live instruments and musicians. For the sake of clarity, I'm going to call them backing tracks.ĭon’t take that offensively though. This can get a little confusing since these tracks are often referred to as loops. While looping is capturing and layering live performances on the spot, triggering plays pre-recorded tracks on top of (or behind) your live performance. The “live” part is the real time takes and texturing.īefore we take a look at live looping, let’s talk about what it’s not. You don’t need to do this on a stage in front of people (though you absolutely can like we’ve seen). The term live looping is somewhat of a misnomer. Pretty sweet, right? While it can look like a gimmick, there are actually several useful applications. You start by recording a track, then layer more tracks on top of it. The very short answer is that live looping is the live recording, repeating, and texturing of tracks.
#GUITAR TO LOOPY HD HOW TO#
How to use live looping at home and on the stage
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